Lea T To Revolutionize The Fashion World
Does the transsexual model Lea T epitomize the new ideal of fashion? Is she the ultimate in achieving androgyny?
Fashion
is often one of those industries to first adopt, celebrate and promote
what is new. Recently, there has been an acceptance and even a
fascination with androgyny. It started with a proliferation of
menswear-influenced trends, such as the boyfriend jacket, jeans, pants,
ties and suits. This masculine interpretation of women’s dressing then
transferred into minimalist silhouettes - a merge of men’s wardrobe
construction and bold colour palettes that entice both genders as
consumers.
As a
result, what is defined as male and female fashion blurs. In accordance
with fashion’s movement towards genderless wardrobe pieces, models
being cast for runway shows and ad campaigns reflect the ambiguity of
women who look like men and men who look like women. The use of
androgynous models is an intentional visual mixing of genders, the
roles that they play and that this fuzzy ambiguity of sexes represents
a freshness that reflects a modern society.
There
is a real freedom that develops when models are no longer defined
simply by a presumed gender. It is representative of a promising time
that people will no longer need to be defined solely by their gender
and that they will be appreciated simply because they are themselves.
This industry provides the ultimate freedom of expression for those
that choose to push boundaries, present a new idea or defy a
misconception.
Brazilian
model Lea T, born a man and transitioning into a woman, is uniquely
positioned in the fashion market. Her look is fresh, undefined and raw
– she is a transsexual and represents both male and female genders that
co-exist. The loneliness of being a female persona trapped inside of a
male body has been a journey of self-discovery for the model which is a
human attribute that everyone can relate to. Her story of tenacity and
willingness to ‘be true to herself’ in the face of criticism makes her
success as a model just that much sweeter.
Further, Lea’s look is emblematic of the tolerant time that society is developing into. The lack of defining humans on a gender basis is carried over by other designers, such as Junya Watanabe’s Spring/ Summer 2011 collection, where he sent models down the runway in white masks and hoods, juxtaposed by brightly coloured wigs, all intentionally to disguise their appearance. The model’s identity is irrelevant in comparison to showcasing the clothes. It no longer matters who is wearing the clothing, but how the wardrobe looks in and of itself. Designer Yoji Yamato has consistently presented genderless silhouettes and embraced the freedom that androgyny allows in dress. Edward Buchanan has taken it one step further with his collection called Sansovino 6 a completely unisex line. He was inspired by Givenchy’s model Lea T and designer Riccardo Tisci and their favourite pieces that he reconfigured into knitwear. Buchanan suggests that clothing can be designed based on shape and not by gender confining silhouettes.
The fashion world is the first to embrace the idea of dressing free from labels of gender and enabling consumers to choose forms of dress that reflect their true selves. Identity of the self no longer needs to be conveyed by the way that one dresses. The overlap allows expression in its purest form a freedom to simply be who you are.
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